Posts in the Personal Category

My referrers lit up recently due to Jonathan Snook’s article about CSS resets and how he doesn’t use them.  To Jonathan and all the doubters and nay-sayers out there, I have only one thing to say:

Good for you.

Seriously; no sarcasm or passive-aggressiveness intended.  If I thought my reset styles, or really anything I’ve ever published or advocated, was a be-all end-all ultimate solution for every designer and design that’s ever been and could ever be, I’d be long past due for six rounds on the receiving end of a clue-by-four.

Reset styles clearly work for a lot of people, whether as-is or in a modified form.  As I say on the reset page, those styles aren’t supposed to be left alone by anyone.  They’re a starting point.  If a thousand people took them and created a thousand different personalized style sheets, that would be right on the money.  But there’s also nothing wrong with taking them and writing your own overrides.  If that works for you, then awesome.

For others, reset styles are more of an impediment.  That’s only to be expected; we all work in different ways.  The key here, and the reason I made the approving comment above, is that you evaluate various tools by thinking about how they relate to the ways you do what you do—and then choose what tools to use, and how, and when.  That’s the mark of someone who thinks seriously about their craft and strives to do it better.

I’m not saying that craftsmen/craftswomen are those people who reject the use of common tools, of course.  I’m saying that they use the tools that fit them best and modify (or create) tools to best fit them, applying their skills and knowledge of their craft to make those decisions.  It’s much the same in the world of programming.  You can’t identify a code craftsman by whether or not they use this framework or that language.  You can identify them by how they decide which framework or language to use, or not use, in a given situation.

Craftsmanship is something I’ve been thinking about quite a bit recently, as has Joshua Porter.  I delivered a keynote address on that very topic just a few days ago in Minneapolis, and my thinking infuses both of the talks I’m giving next week at An Event Apart New Orleans.  I’ve started looking harder for evidence of it, both in myself and in what I see online, and I believe striving toward being a craftsman/craftswoman is an important process for anyone who chooses to work in this field.

Because this isn’t a field of straightforward answers and universal solutions.  We are often faced with problems that have multiple solutions, none of them perfect.  To understand what makes each solution imperfect and to know which of them is the best choice in the situation—that’s knowing your craft.  That’s being a craftsman/craftswoman.  It’s a never-ending process that is all the more critical precisely because it is never-ending.

So it’s no surprise that we, as a community, keep building and sharing solutions to problems we encounter.  Discussions about the merits of those solutions in various situations are also no surprise.  Indeed, they’re exactly the opposite: the surest and, to me, most hopeful sign that web design/development continues to mature as a profession, a discipline, and a craft.  It’s evidence that we continue to challenge ourselves and each other to advance our skills, to keep learning better and better how better to do what we love so much.

I wouldn’t have it any other way.

• Crafting Ourselves was published on Thursday, April 17th, 2008.
• It was assigned to the Commentary, CSS, Culture, Standards, and Web categories.
• There have been fifty replies.

I was reading an article on cosmology, as I am sometimes wont to do, and it brought back to me one of those questions that I’ve had for a while now, concerning the redshifting of light from distant galaxies as it relates to the history and expansion of the universe.

For those of you not familiar with this topic, the general idea here is that when we look at galaxies outside our own, the light they give off is shifted toward the redder end of the electromagnetic spectrum, which means the wavelengths are getting longer.  According to our present understanding of physics, the simplest explanation for this observation that the further away a galaxy is, the faster it is receding from us—thus redshifting the light it gives off, thanks to the Doppler effect.  It turns out that the amount of redshifting is directly and linearly proportional to the distance of the galaxy, a ratio named the Hubble constant in honor of Edwin Hubble, the man who first made this observation.  (He’s also the namesake of the Hubble Space Telescope, of course.)

It seems to me that this explanation  either overlooks or glosses over one kind of important point: we don’t see those galaxies as they are right now.  In fact, we’re seeing them as they were in the past, and the further out we look, the further back in time we’re looking.  If a galaxy is a five million light-years distant, then we see it as it was five million years ago.  Double the distance, and double the amount of time involved, which would seem to mean that greater redshifts are as much a product of how far back in time we’re looking as they are distance.

So why is it that distance is regarded as the primary factor here?  Why don’t we assume that the universe’s expansion is actually slowing down, given that the closer things are (and therefore the more recent they are), the less quickly they’re receding, whereas the really distant (and therefore much, much older) galaxies were receding more quickly back then?

I’ve no doubt this has been explained one way or another by people way smarter than me, but some Googling yielded no decent results—just about everything I came up with challenged the Hubble constant on various and sundry grounds, not all of them sensical (at least to me).  Nothing I found addressed this specifically.  Though I figure the explanation is straightforward enough, I don’t seem to be using the right search terms to find it.  Anyone got any help for me here?

• Time and Motion was published on Monday, April 7th, 2008.
• It was assigned to the Questions and Science categories.
• There have been thirty-one replies.

In just under a couple of weeks, the fifth annual NOTACON will be held right here in beautiful Cleveland, Ohio.  You’re going, I know; you’re super-über-cool like that, and you don’t need to be reminded of your coolness.  But I’d like to mention the show here for posterity, so that our descendants will know just how completely they missed out.

Notacon straddles, like a Colossus built entirely out of recycled motherboards, backtech chips, and loops of soldering wire, the middle ground between regular conferences and BarCamps (though Notacon predates BarCamp by a couple of years).  It’s not free to attend, but it is very inexpensive.  What it lacks in slick advertising and corporate sponsors, it makes up ten times over in raw, unfiltered geekiness and fascinating material.  This is the kind of event where presenters will hold forth on the depths of digital security, the physics of wireless networking, homebrew chip architecture, the coolness of HyperCard, online society dynamics, and more.  There’s a running contest called Anything but Ethernet, where you get bonus points for having one of the links in your network architecture incorporate barbed wire.

Yeah.  It’s like that.

The speakers will be as wildly diverse as the audience.  The lead engineer for the C64 Direct-to-TV (a C64 in a joystick!); the man behind The Daily WTF; some of the folks putting out 2600 magazine; the woman behind CrochetMe.com; and many more.  I’ll be there as well, talking about the bleeding edge of CSS and web design, ripping apart some recent projects of mine at top speed while discussing where I think we’ll be in three years.  Plus Drew Curtis of FARK fame will be back, as he always is, this year sponsoring a FARK party.  The mind fairly boggles.  Boggles!

As you’re no doubt gathering by now, it’s hard to describe Notacon in a quick, concise summary—and that’s a big part of what makes it so awesome.  For my contemporaries: see you there!  To you future historians: okay, you missed out, but drop everything right now to find out when the next one is and I’ll see you there!

• Notacon: Not to be Missed was published on Monday, March 24th, 2008.
• It was assigned to the Cleveland, CSS, and Speaking categories.
• There has been one reply.

As dinner came to a close, Carolyn asked if she could have yogurt for dessert.

“Sure, sweetie,” I said.  “What flavor do you want?”

“Banana.”

“Okay, sure.  Go ahead and get a cup from the refrigerator.”

“Banana cake!”  She started giggling.

“Wait, I thought you wanted banana yogurt.  We don’t have any cake.”

“I know,” she said as she walked into the kitchen, “but I want some banana cake.”  Judging from her tone, this was the most painfully obvious fact in the world.

“Um, okay.”

She came back to the table, yogurt cup in hand, and started wrenching back the foil top.  With the way clear, she picked up her London cabbie spoon—a gift we brought back from one of our rare trips away from her—and splunked it in.

“This is banana cake,” she said gleefully.

“Wow, you got banana cake?  Cool.  It’s pretty handy that it comes in a yogurt cup like that!”

She leaned toward me and said, conspiratorially, “I’m just pretending it’s banana cake, but it’s really banana yogurt.”

“Ah, got it.”

“Banana cake!” she chortled once more.

I looked across the table at Kat and said, grimly:  “The cake is a lie.”

• Cake Fake was published on Thursday, March 13th, 2008.
• It was assigned to the Carolyn and Humor categories.
• There have been eighteen replies.

For those of you using Microsoft Expression Web, a free pre-release trial version of CSS Sculptor for Expression Web was announced by the WebAssist folks on Wednesday at MIX08.  So now you don’t have to put up with those snooty Dreamweaver users throwing you the mëtäl hörns every chance they get—throw ’em right back!  Røck!

If you’re curious about CSS Sculptor, I posted in some detail about it when it was first released in August 2007, and there’s of course plenty of enthusiastic copy about it on the WebAssist site.

One thing that’s different about the Expression version as compared to the Dreamweaver version is that it doesn’t have an “Apply” button to apply the input CSS ito the preview window.  Instead, changes are instantly reflected in the little preview.  It’ll be interesting to see how users react to that, since it could mean that the previewed design shatters as the CSS is updated, and then snaps back together upon further changes.  Is that good or bad tool usability?  Hard to say; it could scare people into undoing the shatter-change and never pushing forward, but it could also help users more quickly gain a deeper understanding of CSS by seeing how things come apart and then go back together.  I guess we’ll find out!

• Expressive Sculptor was published on Thursday, March 6th, 2008.
• It was assigned to the Projects, Tools, and Web categories.
• There have been six replies.

As we drove from preschool to dance class, a gentle snowfall blurred the more distant houses and cars like a thin fog.  Jack Johnson was quietly serenading us when up ahead, without warning, two white-tailed deer appeared from a treeline on the right and darted into the street, their hooves skidding slightly on the slick pavement.

“Oh, look, sweetie!  Do you see the deer?”

“Deer!? Where?” I could hear her leaning out of her booster seat to peer through the front windshield.  Within moments, the does made it off the pavement and bounded across the half-shoveled sidewalk to vanish into the subdivision.  Brake lights winked off and cars sped up to reclaim the precious, precious seconds lost to this sudden intrusion of nature into late-afternoon suburban routines.

“Did you see them?”

“Yeah”, she said distantly, still craning to look.  “Where did they go, Daddy?”

“They ran between those two houses”, I said, gesturing toward the driver’s side window as we passed the spot.

“Do they live there in those houses?”

“No, sweetie, deer live in the woods.”

“Then what are they doing in between the houses?”

“They’re probably looking for food in people’s yards.”

Silence fell for a moment.  I spared a half-glance toward the back seat and caught a glimpse of her in my peripheral vision, a half-formed vision of intense concentration.  In my head, I quickly ran through everything I knew about deer from my years of rural living, preparing for the expected questions about what deer eat and when they sleep and where their houses were.

“Daddy?”

“Yes?”

“Why did the deer cross the road?”

• Deer Trap was published on Tuesday, February 26th, 2008.
• It was assigned to the Carolyn and Humor categories.
• There have been eleven replies.

I’m going to follow the lead of the Airbag crew and mention publicly that, as per the decision I reached last March, I will not be attending SXSWi this year.  I thought about posting to that effect a few months ago and decided against it—what, am I supposed to post about every conference I’m not attending?  That doesn’t exactly scale.

But there really is something different about SXSWi.  It’s the annual tribal gathering for our field and a couple of related fields, or at least is the annual tribal gathering who aren’t freaky/insane/hardcore enough to hit Burning Man.  The default assumption is that you will be in Austin in March, which is actually a symptom of the conditions that led me to opt out this year.

I can sum up why I’m not going in just a few quick bullet points (and if you’re going to attend any panels, get very used to bullet points):

• I can’t concentrate above a certain noise level
• I don’t function well in large crowds
• I don’t drink alcohol
• I’m not single

There is a last selfish reason to go, which is to see a bunch of friends and acquaintances I don’t get to see other places.  Only SXSWi has grown so incredibly huge that I didn’t really get to do even that last year.  There were people who were there the whole time I was that I never saw, like Matt.  I don’t mean that I didn’t have enough time to talk with them, either.  I mean that at no point did photons scattered by their bodies land on either of my retinas.

Don’t get me wrong: SXSWi is a huge buzz.  You can get a geek high just standing around soaking up the ambient energy, and you never know who you’re going to run into.  I once shared a cab with Cory Doctorow and Lisa Rein without, I think, any of us really knowing who the others were until halfway through the trip.  The opportunities to meet and greet and get to know people of every kind are just incredible.  Like I said, it’s a tribal gathering.

So there is of course a part of me that’s sad I won’t be there, because the great thing about SXSWi is the people, both those I know and those I don’t know yet.  There’s a much bigger part of me, though, that’s glad I’ll be spending those five days at home with my family instead of feeling frustrated and lonely in a crowd notably bigger than the town where I grew up.

Anyway, if you’re going and especially if you’re going for the first time, I urge you to pay special attention to the wisdom of Mr. Bag:

Want to meet that OMG OMG OMG blog A-lister?! Fine, just go do it. Nobody, and I mean nobody in this industry is so huge that they can’t be bothered to say hello and shake your hand. And that’s it, done.

To which I’d only say “that OMG OMG OMG blog A-lister” should be replaced with “anyone who interests you”.  Blog A-lister, design rockstar, code guru, startup maven, whoever.  Just go up and say hi and spend a few minutes chatting.  It’s totally cool.  In fact, it’s kind of the point.

• South Bypass was published on Friday, February 22nd, 2008.
• It was assigned to the Travel category.
• There have been sixteen replies.

Ladies and gentlemen, the Cleveland Web Standards Association.  Specifically, its brand-new web site, courtesy a small band of association members who worked together to design and develop it.  It’s a lovely little semantic number, chock full of microformats and member content aggregators.

In case you hadn’t heard about the CWSA yet and are wondering what the group is like, allow me to quote the About page:

The CWSA is an organization grounded on the premise of sharing information in a relaxed atmosphere. We hold monthly gatherings that include presentations on best practices in web development. The gatherings are open to any person interested in web design/development, no matter what their current skill level is.

This isn’t just a social club, though.  We’re not just sharing our skills with each other, but are also working to use those skills in the service of helping others.  I don’t want to steal any thunder, so if you want to find out the details, you’ll just have to come find out for yourself.

We’ll be having our next meeting in a week, 5 February 2008, in our usual space at Tri-C (and many thanks to the college for giving us a home!).  This is definitely a meeting to make, because the topic will be the current and future direction of the association, including deciding the topics on which we want to have presentations and figuring out how best to use the raw talent and enthusiasm of the group for maximal good.  If you’re in the area, you should absolutely come check things out.  If you know someone in the area, kindly pass the word on to them.

• Cleveland Web Standards Association was published on Tuesday, January 29th, 2008.
• It was assigned to the Cleveland and Standards categories.
• There have been eighteen replies.