Posts from 2005

ALA’s New Print Styles

Published 19 years, 2 months past

You asked for it, you begged for it, you demanded it: A List Apart is sporting a working print style sheet for the articles.  Want to know more about it?  Read “ALA’s New Print Styles“, my new article over at ALA.

Believe it or not, that’s only my second ALA article ever, and the first one was the classic “Going To Print“.  Maybe one of these days I should write an ALA article that doesn’t involve ink on dead trees.

Of course, if I stick to the interval established by my first two ALA articles, the next one won’t appear until 2008 early 2009… so I guess I have some time to think about it.


When Printing Maims

Published 19 years, 2 months past

Okay, ALA fans, we’ve deployed a print style sheet on the articles.  I don’t know if I could call it done, but it’s a big step.  Why wasn’t it online sooner?  Say it with me: “browser bugs”.  Just when the convergence of screen CSS handling had me feeling good, I had to go and mess with print styling.  Good feeling’s gone.

At the moment, the print styles seem to work quite well in modern browsers except for Firefox 1.0.6 (which is what I have in OS X).  There, when I call up a print preview, any article is fine until page 4.  Then things go off the rails in short order.  Content disappears, margins go wild, all kinds of fun stuff.  Here, try previewing or printing Nick Usborne’s “Helping Your Visitors: a State of Mind.  Now try it with J. David Eisenberg’s “Validating a Custom DTD” or (somewhat ironically) Ross Howard’s “High-Resolution Image Printing“.  Pages 1-3 are fine for me, but after that, no good.  When you get a nice long article like Joe Clark’s “Facts and Opinion About PDF Accessibility” or (completely ironically) my own “Going To Print“, you’re just asking for trouble.

I tried searching Bugzilla for some report, but my skills over there are not what once they were.  So while I got a bunch of results, I don’t know if any of them described this problem.  Could some kind soul let me know if there is a report on this sort of thing already?  If not, I can submit the report.  I just don’t want to add yet another DUPLICATE to the database.

And hey, if you can work out a solution to the problem, I have a factory-fresh ALA T-shirt all ready to send out—you even get to choose which one you want.  Let me know.

Update: Dan Wilkinson is our winnah!


Skewered By a Transcript

Published 19 years, 2 months past

A little while back, David Poteet of New City Media conducted an interview with me, and the much-edited version is not only a part of today’s UIEtips newsletter, but also published as a full article on the UIE web site.  In it, I lay out my case for why standards-oriented design is a good thing from a non-technical purity-neutral point of view, and use eBay as my Exhibit A for a site that could reap big returns from moving toward using standards.  Ethan has already called the article a “great read”, further cementing his reputation as the whacked-out loon of the standards world.

I have to be honest: reading the full transcription of the interview was a deeply shocking and humbling experience.  In the past, when reading transcripts of news interviews and commentary shows, I’ve winced and clucked over the mangled syntax of the people being transcribed.  False starts, weird shifts, strange commas, unfinished sentences, mind-number repetition, long rambling assaults on syntax and coherence—what was wrong with these people?  Are these the best minds our society can produce?  Can none of them do so much as utter a sentence with a clear point and progression?  How many “you know”s does one person really need?

Then I read the transcription of me, and was utterly horrified.  I sounded exactly like everyone else!  Worse, at times.  Here’s but one example, from a portion of the interview that didn’t get used in the edited version.  (Note that this was conducted before I moved to my current host; so far as I know I’m no longer in danger of hitting any caps.)

Yeah, you’re talking about actually, you know, reducing the bandwidth bill and saving money, in that sense.  I mean, for most people, for my site, MeyerWeb, I’m actually getting close to, I’m having some bandwidth, I’m getting close to hitting a bandwidth ceiling with my current provider —

And then, not five seconds later:

It’s less of an issue because I’m paying more, 30, 40, 50, whatever number of dollars per month and as long as I don’t put up The Matrix Reloaded for people to download and, you know, they use several terabytes worth of data in a month, you know, that’s what I pay.  I don’t have to pay extra bandwidth.  That gets rolled into the cost.

The horror.  The horror!

Thankfully, the published version of the interview makes me sound a good deal less like an epileptic chimp—so you might want to check it out, if you have a few spare minutes.

You know, a lot of people have told me I write like I speak.  Apparently, they were all being very, very kind to me.


An Event Apart Debuts

Published 19 years, 2 months past

I couldn’t be more proud to announce the launch of An Event Apart.  What is An Event Apart (AEA)?  It’s an all-day seminar, one that moves from city to city, featuring me and Jeffrey Zeldman.  The inaugural event will be held at the Franklin Institute in central Philadelphia, Pennsylvania on Monday, 5 December 2005.  We’ll be taking it to other cities in 2006; keep an eye on the AEA RSS feed for announcements.

Honestly, AEA can be summarized in one sentence: it’s the kind of seminar Jeffrey and I would want to attend.  Hopefully that right there is enough to get you interested, but wait until you hear the details.

  • No “intro to X” sessions.  We’re packing the day with as much detail, technical insight, and expert information as possible.  We won’t be taking any time to explain the basics of CSS or XHTML or anything else.  From the first minute to the last, we’re putting the pedal to the metal.
  • An intimate look at how Jeffrey and I do what we do.  Most of our material will be drawn from recent projects we’ve done together, such as the web sites for A List Apart, An Event Apart, UNIFEM, and others.  All the nifty tricks, browser hacks, practical compromises and development surprises—they’ll be laid bare for attendees to examine, question, chuckle over, and take back to their own work.
  • Going from  comp to complete.  How does one get from a visual comp file to a working XHTML+CSS page?  You’ll find out how we do it as we step through that very process.
  • Constant interaction.  This isn’t a rigidly formalized “we talk for 80 minutes and you ask questions for 10 minutes” kind of setup.  Jeffrey and I see it as more of a conversation between us and the attendees.  We’ll probably do most of the talking, and we’ll certainly have all kinds of stuff to talk about, but we’re really looking forward to questions that will take things in a new direction.  We want the attendees to ask tough questions about what we’re showing, and ask us about the tough problems they’ve faced.
  • Attendee markover.  For one of the day’s sessions, we’ll take a site submitted by an attendee and give it a markover, turning it into semantic XHTML and CSS without disrupting the visual appearance.  This will make for a great look at practical standards-oriented design for a real-world site.
  • Interesting venues.  Jeffrey and I been to a zillion conferences in hotel ballrooms and conference centers, and frankly we’re bored to death with that whole repetitive scene.  So we’re going to aim for places that are a little off the beaten path; venues that have some interest.  As an example, just look at the venue for AEA Philadelphia, the Franklin Institute; it’s one of the most prestigious science museums in the country.

The content of AEA won’t be just markup and CSS, either.  We’re going to talk about how standards-based design speeds up the development process, how we work in a distributed team, and how we approach web design in general.  We’ll share what’s worked for us and what hasn’t, and find out what experiences the attendees have had.

So if you’re in the Philadelphia area, or can reach it fairly easily, I strongly encourage you to take a look at the AEA site—and then ask yourself whether this is an event you can afford to miss.


Clearly Impossible?

Published 19 years, 2 months past

I’ve been pounding my brain against a problem in Photoshop CS for the last few months—no, not continuously—and I’ve given up.  Now I turn to the PSD experts in the crowd for help.

What I want to do seems simple enough.  The goal here is to have a PNG where the alpha channel coincides precisely with a visible pieces of the image.  In other words, if the visible image is a large black diamond, then I want the alpha channel to be in the same shape and intensity as the diamond.  That way, in IE/Win, there will be a big black diamond.  In other, more capable browsers, there will be a transparent diamond with a white mask, so I can set whatever background color I want.

Here are two images that, I hope, illustrate what I’m aiming to do.  The first image is what IE/Win would render, and the second is a representation of what another browser would render (the gray checkerboard pattern representing the transparent parts of the PNG).

I’ve fiddled with combinations of masks, layers, alpha channels, and more until my head feels ready to explode.  No matter what I do, I can get either an image that’s opaque (read: no alpha channel) in all browsers, or an image with a full alpha channel, where the alpha portion is filled with a light silver-gray in IE/Win.

It seems like there has to be a way to do this, and that someone out there knows what it is.  So how in the name of the sweet Virgin Mary do I get this to work?

Update: I sense that people aren’t getting what I want to do.  What I effectively want to do is take an image of the diamond—a GIF, a TIFF, whatever—and, in turning it into a PNG, add an alpha channel such that the diamond gets “knocked out” in programs that understand the alpha channel.  In those that don’t, like IE/Win, the regular image should just appear, with no alpha-channel effects.  Just the black diamond.

And I want to know how to do it in Photoshop, which is the tool I use.  Telling me how to do it in GIMP would be incredibly useful if I hadn’t thoroughly hated GIMP’s UI, and thus uninstalled it about ten minutes after installing it, back when I did.  (To be fair, it might have been the X11 UI that I hated, but since GIMP was the only X11 application I’ve run… you see where I’m headed with that, I hope.)


The Constants Gardener

Published 19 years, 2 months past

This news is a little musty, but Shaun Inman updated CSS-SSC recently.  If you’re using CSS-SSC, you should definitely go grab the update.

“Hey, what’s CSS-SSC?” you exclaim?  Oh, I’m sorry.  It stands for Cascading Style Sheets Server-Side Constants.  Here’s Shaun’s initial example:

@server constants {
    linkColor: #AB6666;
    linkColorHover: #710101;
    }
a { color: linkColor; }
a:hover { color: linkColorHover; }

In other words, you can define your own constants in CSS.  This works because CSS-SSC is a preprocessor—it processes the style sheet before it’s sent to the browser, and turns it into something the browser can handle.  (Put another way, what arrives at the browser is a regular style sheet, with none of the ‘SSC’ information.)  Shaun offers more details in an earlier post.  CSS-SSC requires you to have PHP hanging about, and also to edit some stuff on your server, like .htaccess files.  You’ll also have to be careful about how you name your constants: use the constant name color, for example, and your CSS is going to go to a particularly mangled form of textual hell.

Personally, I’m both enthused and annoyed by CSS-SSC.  I think it’s a great solution: definitely one of the best, lightest-weight, easiest approaches to adding preprocessing to CSS.  I’m seriously considering putting it to use on ALA, in which I jumped through a few grouping hoops in order to get the fonts and colors just the way Jason wanted them.  Dropping back to constants would make life a bit easier—and would also simplify the whole “per-issue coloration” feature.  (Which I already have working, but via a large number of hoops, several of them on fire.)

I’m annoyed because it bothers me that Shaun had to create CSS-SSC in the first place.  There have been occasional requests for constants in CSS.  They get shot down every time.  “Use a preprocessor!” is the cry, and at first glance, CSS-SSC would seem to give credence to that response.  From my point of view, however, CSS should have had constants long ago, and what Shaun has done is proof.

The refusal to add constants as a feature of CSS has always stuck me as highly pointless.  Over the past decade, many people have expressed a need for CSS constants in a number of fora, and it’s a good bet many more have had the need without publicly expressing it.  Adding it to CSS would have done little to increase complexity on the implementor’s side; Shaun’s one-page PHP script (a good deal less when you remove the comments) proves that.  Adding it to CSS would have meant authors could just do it, without having to install anything else first.  Shaun’s made installation about as easy as it gets, but it’s still three or four steps more than should exist—and, for some authors, three or four impossible steps, due to their hosting situation.  And if you aren’t running a local web server, then you can’t test your CSS-SSC-enhanced styles locally; they’ll have to go to a web server first.

Because CSS still lacks, and will apparently continue to lack, a way to define your own constants, I’m really glad Shaun has devised this low-threshold solution.  I just wish that it hadn’t been necessary for him to do so in the first place.


The Softest Whimper

Published 19 years, 2 months past

This morning, I broadcast what might be the last radio show I ever host.

Almost nobody heard it, though, because yesterday evening the station’s 15,000 watt transmitter had a seizure and stopped sending out a signal– you know, transmitting.  So the station went off the air until 8am this morning, which happened to be the beginning of my show, the last in a nine-year run.

When we came back on the air, it was at 5 watts, which was all the transmitter was prepared to handle.  At that level, we were reaching an area of maybe ten square blocks.  At that level, the FCC technically has no province; only stations of 10 watts and above are regulated.  In theory, I could have played anything I wanted with no threat of legal reprecussions.  On the other hand, we were still webcasting, so I stuck to my format.

But instead of assembling a list of all my favorite tunes, I just put on two hours of Glenn Miller.  This wasn’t so much a case of “what’s the point?” as it was the fact that I couldn’t get into the station until ten minutes before my show.  Usually I’m there close to an hour beforehand to prepare.  And granted, I could have played an hour of Glenn Miller and an hour of favorites—but in the end, I didn’t have a good answer when I asked myself “what’s the point?”.

At the end of the show, as I’d planned, I delivered a short farewell to my audience, none of whom could actually hear me unless they happened to be within a few hundred feet of the transmitter.  I knew all my regular listeners, the ones to whom I’d hoped to say farewell, were beyond that range.

As I said “…and in the meantime, I’m out of here” for the last time and clicked off the microphone, the phone rang in the studio.  My God, had someone actually heard me and phoned in to say goodbye?

It was a fax machine.


Reserved ID Values?

Published 19 years, 2 months past

As a followup to my entry about id="tags" causing problems in IE/Win, here are four five test pages for IE/Win:

These are based on Kevin Hamilton’s observation that it’s highly likely the problems are caused by the tags method in IE/Win’s document.all DOM interface.  As he says:

[I]f you have an element with an id=”tags”, then document.all.tags is now a reference to that element, and no longer a method of the document.all object.

Such states would completely shatter any IE DOM scripting that relied on the document.all methods, and at least in the case of tags causes problems like crashing on print (probably because of the aforementioned conflict between the ID value and the DOM method).  The other keywords of concern are chronicled in the test pages listed above.  I’d test IE/Win myself, except I don’t have a printer handy for IE/Win to use, and besides, bug-hunting is best conducted in large groups.

Basically, load up each test page in IE/Win and do anything you can think to do.  Try to print, view source, save a local copy, et cetera, et cetera—the more obscure and offbeat, the better.  Let us know via the comments any problems you run into with said pages (trying to print them is a good first step, since that’s what messed up on tags) and I’ll add notes to each page based on what’s found.

In the meantime, I’m personally going to avoid using any of those words as ID values, and heartily recommend the same to you.

Update: I’ve added a test (for length) to the above list, and have another that’s not on the list due to its unfinished nature.  It’s a test of id="all"; the problem is, I don’t really know how to test it, or if it’s likely to be a problem at all.  Suggestions are welcomed in the comments.  I added some JavaScript links to some of the test pages as a secondary test, but I’m not sure how much good they do, to be honest.  As with suggestions, your feedback is welcome.

For those in search of more background, or trying to find new ways to test possible conflicts, or whatever, feel free to look over Microsoft’s documentation of the “all Collection”.


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